Chris Pandolfi Avatar Posted on 4/21/2012 by Chris Pandolfi
Movies
Reviews
Has no ambition other than to be bizarre, esoteric, and highly inflammatory; displays attitudes and social movements, but never once actually say anything meaningful about them.

The title, as you may have surmised by now, is a play-on-words of the popular swear, “Jesus H. Christ!” which is repeatedly exclaimed by various characters throughout the film. It’s not especially funny. It is, however, a lot more tolerable than the recurring appearance of a radical Muslim convert who, despite being white, speaks in an exaggerated black street accent and spouts vile racial slurs about white people. Not only is this not funny, it’s actually kind of insulting. What point is Lee making here? Jesus Henry Christ has no ambition other than to be bizarre, esoteric, and in some cases, highly inflammatory. It displays attitudes and social movements, but never once does it actually say anything meaningful about them. Like a school bully, it mocks and torments simply because it can.
Release: May 4, 2012
Rating: PG-13
Studio: E1 Entertainment
Written by Chris Pandolfi (editor-at-large)

Jesus Henry Christ is preposterous, pretentious, venomous, and maddeningly unclear about what it wants to say and how it wants to say it. Much like the philosophy of art for art’s sake, the film’s quirkiness has no intrinsic value; it’s weird simply for the sake of being weird. We’re tempted to think that it takes a moral position, given the narrative usage of feminism, militant antiestablishment rhetoric, atheism, racial and gay intolerances, nontraditional family values, and the rewards and deficits that come from being a genius. In fact, the story is divorced from pretty much any sense of morality; all the beliefs listed above are not examined convincingly and are included primarily to be made fun of. In spite of all this, the film ends on such a mechanically upbeat note that it might as well have served as the ending to a sitcom episode.

Adapted by writer/director Dennis Lee from his own student film, Jesus Henry Christ tells the story of Henry James Herman (Jason Spevack), who was conceived in a Petri dish and born to an activist mother named Patricia (Toni Collette), with whom he’s on first-name terms. At nine months old, he was already able to speak complete sentences. At five, he was expelled from kindergarten for questioning the point of telling the teacher a word that begins with Y. Now at age ten, he has been expelled from a Catholic high school for heresy, having caused a riot after self-publishing a manifesto proclaiming that there is no God. A straight-A student, he remembers absolutely everything he sees and hears. He can speed read an entire book in a matter of minutes and can quote entire passages; he can even tell you what page and paragraph the passage was on.

He narrates a lengthy flashback sequence in which he details his mother’s family. It’s during this sequence in which Lee demonstrates how wildly wrong he is in what he believes is funny. On her tenth birthday, Patricia (Hannah Brigden) witnessed her mother burn to death when she tried to light the candles on the cake; her sleeve caught fire, and her husband tried to dowse them out with his glass of booze. Over time, Patricia endured the deaths of most of her brothers, and with the exception of the one with AIDS, all of them died very, very stupidly. The surviving brother dodged the draft by fleeing to Canada, leaving Patricia alone to care for her chauvinist father, Stan (Frank Moore). He’s in possession of a gold-plated Zippo lighter that prevented a bullet from killing him. He wanted nothing more than to pass it down to one of sons. Now Henry is in possession of it.

Henry knows he doesn’t have a father, although he doesn’t know the reason why. In a needlessly bizarre scene, Stan explains to Henry, in Spanish, that he’s a test-tube baby and that a little bribery led to the discovery of Henry’s half-sister. Here enters twelve-year-old Audrey O’Hara (Samantha Weinstein). Ever since unwittingly being the subject of her father’s psychology book, she has been mercilessly teased and tormented by her classmates. As a result, nothing but ice water flows through her veins. As for her father, Dr. Slavkin O’Hara (Michael Sheen), he’s consumed with so much stress and guilt that he spends the entire film in a medication-induced fog. Henry enters his life convinced that he’s his long lost father, a prospect O’Hara finds promising for a new book.

But is he Henry’s father? Is he Audrey’s? Over a decade ago, when he was diagnosed with testicular cancer and decided to harvest his sperm, he discovered that his wife was having an affair – with his German-accented doctor, no less. The resulting paternity case and the ensuing legal and financial conversations are occasionally interrupted by awkward scenes in which Henry and Audrey form a begrudging friendship. Needless to say, it’s harder for Audrey to let someone in than it is for Henry. All paves the way for a surprisingly conventional and borderline saccharine ending, which the rest of the film had not been leading up to. This sudden change in tone, while certainly much more pleasant, was jarringly inconsistent and inappropriate.

The title, as you may have surmised by now, is a play-on-words of the popular swear, “Jesus H. Christ!” which is repeatedly exclaimed by various characters throughout the film. It’s not especially funny. It is, however, a lot more tolerable than the recurring appearance of a radical Muslim convert who, despite being white, speaks in an exaggerated black street accent and spouts vile racial slurs about white people. Not only is this not funny, it’s actually kind of insulting. What point is Lee making here? Jesus Henry Christ has no ambition other than to be bizarre, esoteric, and in some cases, highly inflammatory. It displays attitudes and social movements, but never once does it actually say anything meaningful about them. Like a school bully, it mocks and torments simply because it can.







Katsuhiro Otomo and three other directors serve up a wild anthology of anime shorts in the wonderful and bizarre collection that is Short Peace.
April 18, 2014Read More!
Lacks the nostalgic pulp magazine atmosphere that made its predecessor so much fun, but as a Marvel film it gets the job done.
April 4, 2014Read More!
More audacious than volume one, mostly because of von Trier’s willingness to delve into the darker, often unexplored recesses of the mind.
April 4, 2014Read More!
In spite of Berry's incredible performance(s), the film cannot escape its controversial subject matter or its melodramatic plot.
April 4, 2014Read More!
Disney returns its Peter Pan spin off series to the high seas in The Pirate Fairy.
April 4, 2014Read More!
See More From Movies...
Pure silliness, wrapped around a history lesson that’s largely apolitical; stars persons and places more recognizable than the first book.
April 7, 2014Read More!
Stories written between 2003 and 2010 that are bagatelles; not bad, but not memorable; not the Waldrop collection to start with, but buy it anyway.
April 3, 2014Read More!
An exemplary vision spanning 192 pages, with plenty of juicy information about Respawn’s wondrous new world to sate even the most jaded of gamers.
March 21, 2014Read More!
Even if its source material wasn't to your liking, there’s plenty to enjoy about this accompanying tome, especially if you can appreciate great art when you see it.
March 21, 2014Read More!
We chat with Cosplay Deviants' Troy Doerner about his new book Undressing the Art of Playing Dress Up.
March 19, 2014Read More!
See More From Culture...
This next-gen COD style mech adventure is one best experienced with equipment that can make it shine, even if the underlying product is still kind of dull.
April 14, 2014Read More!
A great example of a 'clone' of popular genre games done right, especially those unavailable on platforms they make the most sense on.
April 14, 2014Read More!
A streamlined version of 999 that doffs the need for convoluted gameplay, presenting the same events and chilling twists that make the game accessible to anyone. In short, it's awesome.
April 14, 2014Read More!
While commendable to see a darker take on familiar archetypes, fans may want to stick with a different strategy-RPG that doesn't try so hard to be edgy.
April 14, 2014Read More!
A new act, class, loot system and more await fans in the first expansion to Blizzard’s Diablo 3.
April 8, 2014Read More!
See More From Games...