Like its 2009 predecessor, J.J. Abrams reduces Gene Roddenberry's once exciting and idealistic vision to the level of meaningless summer popcorn thrills.

Under Luhrmann's direction, Fitzgerald's novel is freed from the weight of its literariness; there's an energy that has never been seen before, a vibrancy, a sense that we’re actually being told a story.

Although the film is good-natured fun, it cannot compare to the original 2008 film, which still ranks as one of the greatest superhero films ever made.

A new low for Michael Bay; turning a real-life story of kidnapping, extortion, torture, and grisly murder into a goofy comedy shows a profound lack of respect and sensitivity.

This remake of a 2006 French film answers the question, assuming anyone ever asked it, of what would happen if a soap opera were to be filtered through a screwball comedy.

One of the most engrossing and resonant coming-of-age dramas of recent memory and a great adventure; Mark Twain, the director's favorite author, would be proud of.

The true story of Norwegian Thor Heyerdahl, who sailed from South America to the Polynesian Islands on a raft, comes to life in this compelling and harrowing Best Foreign Language Oscar nominee.

An implausible film with a deeply flawed premise and an unsympathetic main character, even though the filmmakers ask us to do so.

While not an especially memorable or original espionage thriller, its emphasis on character prevents it from becoming too mundane.

Not merely a superb melodrama, but an intense and emotionally devastating examination of class, politics, community, and the underhanded yet common ways they can all be corrupted.