This remake of a 2006 French film answers the question, assuming anyone ever asked it, of what would happen if a soap opera were to be filtered through a screwball comedy.

One of the most engrossing and resonant coming-of-age dramas of recent memory and a great adventure; Mark Twain, the director's favorite author, would be proud of.

The true story of Norwegian Thor Heyerdahl, who sailed from South America to the Polynesian Islands on a raft, comes to life in this compelling and harrowing Best Foreign Language Oscar nominee.

An implausible film with a deeply flawed premise and an unsympathetic main character, even though the filmmakers ask us to do so.

While not an especially memorable or original espionage thriller, its emphasis on character prevents it from becoming too mundane.

Not merely a superb melodrama, but an intense and emotionally devastating examination of class, politics, community, and the underhanded yet common ways they can all be corrupted.

We sit down with acclaimed Japanese writer/director Shunji Iwai to chat about his English-language debut, the horror film Vampire.

A bizarre, morbid film constructed as implausible interludes that go nowhere and ultimately say nothing relevant or insightful about its thematic subtext.

An unholy mess; so random and atmospherically inconsistent that it's difficult to tell whether Rob Zombie was being serious or aiming for parody.

Just as fascinating as it is frustrating, François Ozon's commentary on creativity and storytelling intentionally blurs the line between reality and fantasy.